Errands – Short by Jason Hernandez shot with the ZEISS Lightweight Zoom LWZ.3
The first thing I liked instantly about the ZEISS Lightweight Zoom LWZ.3 21-100 is the weight, that is major when your shooting on the fly, and moving around a lot, without losing the build quality...
View ArticleWOMAN – an audiovisual piece
Haga clic aquí para la version española by Alejandro Alcocer WOMAN is a review of a range of three different Sony cameras. (FS7, FS5 A7SII) and combination of two ZEISS lens families specially designed...
View ArticleNancy Schreiber on the set of ‘Moving Parts’ with ZEISS Cinema Zoom CZ.2 15-30mm
The ZEISS Cinema Zoom lenses deliver great flexibility thanks to interchangeable mounts, allowing them to be used with a wide range of cameras from multiple manufacturers. There is a comprehensive...
View ArticleJapanese Cooking – Demo Reel shot with the ZEISS Milvus 2/50M
Building a Forest of Mushrooms The ZEISS team was kind enough to send us their ZEISS Milvus 2/50 with an open-ended request to shoot a quick video about Japanese food. After a few hours of looking at...
View ArticleWedding Cinematography – Ray Roman swears by the ZEISS Milvus Lenses to...
Unapologetically Sharp – ZEISS Milvus The first thing you will notice when picking up a ZEISS Milvus lens is the sleek design that becomes one with your camera body. Along with the ultrasmooth focus...
View ArticleA Dancing Soul – Artistic Reel shoot with ZEISS Milvus 2.8/21
Optimal image performance and enhanced build quality for decades of use on set. All ZEISS Milvus lenses have an exceptionally long rotation angles of the focus ring for precise focusing. The practical,...
View ArticleNew technology creates greater flexibility on the set
Each of the ten ZEISS Compact Prime CP.3 fixed focal lengths are available in two versions: as a ZEISS CP.3 lens or as a ZEISS CP.3 XD with the unique eXtended data technology. Thanks to their compact...
View ArticleLight weight, sharp and beautifully engineered
The new range of ZEISS CP.3 lenses offer superb optical quality with the manufacturing build and design you would expect from ZEISS but with the new addition of being amazingly lightweight. This opens...
View ArticleZEISS eXtended Data with CP.3 XD lenses – Perfect tool for visual effects
Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile,...
View ArticleZEISS CP.3 Lenses – An introduction by HOTSHOT Magazine
Link to the Japanese Version. It was at NAB Show 2009 when ZEISS introduced a line of cine primes targeted to the rising HDSLR and HD digital cinema camera users – Compact Prime (later known as CP.1)....
View ArticleMISCREANTS – Telling a story through dance with the ZEISS CP.3 Lenses
Joseph Rubinstein is a cinematographer in Los Angeles, the founding member of Digital Bolex, and a life long film enthusiast. He had the chance to shoot his latest project MISCREANTS with the new ZEISS...
View ArticleIntroducing the Toledo Symphony Orchestra
Toledo, Ohio is a small city of about 300,000, with multiple aging manufacturing facilities and a small downtown that rises above the western shores of Lake Erie. Barely a stopping point, freight...
View ArticleLarge Image Circle, Universal Usability: The Compact Prime CP.3 and Cinema...
Building on the success of the CP.2 lenses, the new CP.3 version will soon be part of the standard assortment of lenses offered by equipment rental companies across the globe – There are a total of ten...
View ArticleNECKFACE by cinematographer Ty Evans
Last year a couple weeks before Halloween, Tabb from Freefly hit us up about the soon to be released Movi Pro they were launching and wanted to know if we would like collaborate on a video project...
View ArticleAfter Thoughts – Student-Made Drunk Driving Awareness Short Film
After Thoughts is a story of a teenager who is killed in a car accident after driving under the influence. As she is dying, she recalls the actions leading to her death from a different perspective....
View ArticleCreating a haunting atmosphere in the thriller ‘Odds Are’
For the thriller, we shot with a Canon c300 Mark II, recorded externally to the oddessey Q7+, and utilized the ZEISS Milvus 2.8/21, and ZEISS Otus 1.4/28, 1.4/55, and 1.4/85 lenses. My only qualm when...
View ArticleLights Camera Uganda – A Documentary about Uganda’s first Action Movie Studio
We learned about Wakaliwood a number of years ago from Alan Hofmanis one of the subjects in the film. He told us about Isaac Nabwana, a filmmaker in Uganda, who had created an action movie studio in...
View ArticleMidnight Sun – Shooting in Alaska with ZEISS Lenses
My Gear One of the most common and never-ending challenges to filmmaking is choosing the best equipment for the location, type of content being captured and the overall project budget. I knew that I...
View ArticleMAHLE – Around the Globe for the Annual Report
Hier geht es zur deutschen Version Founded in 1920, MAHLE offers innovative mobility solutions that stand for clean air, fuel efficiency and driving pleasure. The product portfolio covers all important...
View ArticleThe versatility of Loxia lenses for any video production
Some background information about me: I am one half of a YouTube channel called Ismahawk that focuses on VFX-based action short films. We are just a group of a few individuals who are constantly trying...
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