NECKFACE by cinematographer Ty Evans
Last year a couple weeks before Halloween, Tabb from Freefly hit us up about the soon to be released Movi Pro they were launching and wanted to know if we would like collaborate on a video project...
View ArticleAfter Thoughts – Student-Made Drunk Driving Awareness Short Film
After Thoughts is a story of a teenager who is killed in a car accident after driving under the influence. As she is dying, she recalls the actions leading to her death from a different perspective....
View ArticleCreating a haunting atmosphere in the thriller ‘Odds Are’
For the thriller, we shot with a Canon c300 Mark II, recorded externally to the oddessey Q7+, and utilized the ZEISS Milvus 2.8/21, and ZEISS Otus 1.4/28, 1.4/55, and 1.4/85 lenses. My only qualm when...
View ArticleLights Camera Uganda – A Documentary about Uganda’s first Action Movie Studio
We learned about Wakaliwood a number of years ago from Alan Hofmanis one of the subjects in the film. He told us about Isaac Nabwana, a filmmaker in Uganda, who had created an action movie studio in...
View ArticleMidnight Sun – Shooting in Alaska with ZEISS Lenses
My Gear One of the most common and never-ending challenges to filmmaking is choosing the best equipment for the location, type of content being captured and the overall project budget. I knew that I...
View ArticleMAHLE – Around the Globe for the Annual Report
Hier geht es zur deutschen Version Founded in 1920, MAHLE offers innovative mobility solutions that stand for clean air, fuel efficiency and driving pleasure. The product portfolio covers all important...
View ArticleThe versatility of Loxia lenses for any video production
Some background information about me: I am one half of a YouTube channel called Ismahawk that focuses on VFX-based action short films. We are just a group of a few individuals who are constantly trying...
View ArticleWhen a lens is more than just a lens – The ZEISS eXtended Data
The ZEISS eXtended Data is a unique technology which is based on the /i* Technology and provides information about the lens’ distortion and shading characteristics in real time. With the ZEISS CP.3 XD...
View ArticleZEISS LWZ.3 chosen for German TV series – WAPO Bodensee
Hier geht es zur deutschen Version Mr. Franz, were you simply trying out the LWZ.3 or did you use it for filming without any experience? I spoke to ZEISS engineers at NAB 2016, which is how I found out...
View ArticleBringing your shots from 95% to 100% with CP.3 XD lenses
Chances are you played this game, or a variation of it, when you were a child: you pretend the floor is covered with something dangerous, be it lava or monsters, and jump from one piece of furniture to...
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